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“font-family: Verdana; font-size: 13px;”>Assumptions aside, it

would be anyone’s guess what was to be served up when the hottest

ticket in hip hop hit the STL on Sunday night.

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“font-size: 10.0pt; font-family: Verdana;”>Based on the fact that

the audience was barely getting settled in as Mix Master Mike and

Travis Barker summed up their set of a hip-hop/rock fusion, it was

apparent who the crowd came to see.

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“font-size: 10.0pt; font-family: Verdana;”>Three of the hottest rap

acts shared the bill with headliner Lil’ Wayne for the sold-out

stop of the I

Am Still Music tour

at Scottrade Center. But when the dust settled and the final

microphone dropped, Wayne would rightfully be the last man standing

and illustrate his hold on the rap game with respect to his current

competition.

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“font-size: 10.0pt; font-family: Verdana;”>Heavyweight Miami rapper

Rick Ross was first on deck. Somewhere between the shameless

promotion and underwhelming performance he lost fans and failed to

capture the much broader audience base that attended the

show.

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“font-size: 10.0pt; font-family: Verdana;”>His radio hits “BMF,”

“Aston Martin Music,” and “Biggest Boss” were performed with

assisting vocal tracks and a low energy hype man.

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“font-size: 10.0pt; font-family: Verdana;”>Many have pointed to

Ross as a Notorious B.I.G. – In Training, but Ross is more along

the lines of Heavy D, but with less onstage charisma.

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Another contrast between the two is

that while Heavy D milked his ‘overweight lover’ gimmick, Ross is

attempting to capitalize on chronicles from his alleged former

lifestyle as a cocaine kingpin.

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“font-size: 10.0pt; font-family: Verdana;”>Biggie created color and

flavor with his words, where as Ross proved to not measure up with

his flat and commercialized rhyme style.

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“font-size: 10.0pt; font-family: Verdana;”>Though she literally

popped up midway through Wayne’s set, Minaj was also a

disappointing sideshow during a concert where Wayne owned the

night.

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“font-size: 10.0pt; font-family: Verdana;”>A product of Wayne’s

Young Money team, Minaj stands by default as the leading lady in

hip-hop. Through countless guest verses on some of the hottest acts

in hip-hop in R&B and a successful mix-tape, Minaj took the

industry by storm – which led to the monstrous success of her

platinum selling debut

“mso-bidi-font-style: normal;”>Pink Friday

.

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“font-size: 10.0pt; font-family: Verdana;”>Though undeniably

talented as an MC, the gimmick of her act – vocal ticks and over

the top costumes – often overshadow Minaj’s ability.

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And while she has the reputation as a

force to be reckoned with on a track, her tendency of failing to

live up to the song during live performances also precedes

her.

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“font-size: 10.0pt; font-family: Verdana;”>Minaj would be true to

form in all respects (good and bad) when she took the stage. A pink

slanted afro wig and form-fitting neon bodysuit distracted fans

from the flow of her dis track aimed at her former mentor and

present nemesis Lil Kim. And the drama continued as she aimlessly

scooted across the stage alongside her backup dancers. Fans seemed

thrilled as she bounced back and forth between verses from her

debut album and guest appearances including “Bottoms Up,” “Super

Bass,” “Number 2” and others. But she ultimately proved to be much

more flash than an actual formidable talent.

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“font-size: 10.0pt; font-family: Verdana;”>Unlike his opening

entertainment, headliner Lil Wayne came out with the hunger of a

fresh faced MC aching to leave an impression.

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“font-size: 10.0pt; font-family: Verdana;”>Backed by an all black

rock band Wayne came hard at hello with a guitar and drum flooded

rendition of “I’m Goin’ In” dressed in camouflage pants, a white

tee and a St. Louis Cardinals ball cap.

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It was the first time St. Louis fans

had seen him since just before he entered Riker’s Island to serve a

year-long sentence on gun charges.

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“font-size: 10.0pt; font-family: Verdana;”>Upon his release, he hit

the ground running –back into a rap game where the only person to

take advantage of Wayne’s absence was Young Money member Drake (who

was noticeably absent from the line up).

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“font-size: 10.0pt; font-family: Verdana;”>Thanks to an endless

list of stockpiled guest verses Wayne was far from invisible during

his incarceration. Thanks to the tour fans would get to hear them

live for the first time. The only downside would be that those

guest verses would seem to be the meat of Wayne’s show.

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“font-size: 10.0pt; font-family: Verdana;”>Because he offered far

too much attention to the special appearances (especially a medley

of Drake hits) a huge helping of classic Lil’ Wayne was missing in

action. Songs like “Fire Man” and “Stunting Like My Daddy” were

left by the wayside and there was a sorely missed opportunity to

take advantage of Ross’ presence on the tour with a performance of

“John.”

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“font-size: 10.0pt; font-family: Verdana;”>Another downside of the

show was when the record executive in Wayne reared its head in the

middle of his set as he stepped aside to allow Young Money artists

the spotlight for a segment of songs.

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“font-size: 10.0pt; font-family: Verdana;”>Singer Shenell’s two

song presentation was especially mix-matched as she quick changed

from standard singer to sexpot – which was met by a room

temperature reaction by the audience.

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“font-size: 10.0pt; font-family: Verdana;”>Despite the hiccups,

Wayne’s heart was immersed in the experience of returning to the

stage and a fellowship opportunity with his extremely diverse fan

base.

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“font-size: 10.0pt; font-family: Verdana;”>“Three things about me,”

Wayne said to fans as he opened and closed the show. “Number one: I

believe in God. Number two:

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I ain’t [expletive] without you.

Number three:  I ain’t

[expletive] without you.”

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