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“font-family: Verdana;”>When the dust was wiped from canisters of

film lying in an obscure, defunct Swedish television station, how

could anyone expect to find an objective and appreciative account

of the Black Power Movement in the United States?

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“font-size: 9.0pt; font-family: Verdana;”>Director Goran Olsson

wove together footage shot by Swedish journalists and used the

scenes, interviews and first-hand commentaries as a backdrop for

perspectives from past and present generations in The Black

Power Mixtape: 1967-1975. Danny Glover serves as one of the

film’s producers.

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“font-size: 9.0pt; font-family: Verdana;”>When crews of Swedes

first traveled to the U.S. to capture the African-American

experience, a shift in the paradigm of the movement for equality

was underway. By 1967, marches had given way to militancy. “We

Shall Overcome,” had given way to “Burn Baby Burn” and “Pick Up the

Gun.”

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“font-size: 9.0pt; font-family: Verdana;”>As the film begins,

Stokely Carmichael, one of the founding fathers of the Black Power

Movement, is explaining his perceived futility in the nonviolent

acts of the Civil Rights Movement – Dr. Martin Luther King Jr.’s

approach.

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“font-size: 9.0pt; font-family: Verdana;”>Commentary from

contemporary voices – including rapper Talib Kweli and John Forte,

singer Erykah Badu and musician Questlove – are stirred in

alongside Harry Belafonte, Sonia Sanchez, Melvin Van Peebles and

Black Power figures Bobby Seale, Kathleen Cleaver and Angela

Davis.

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“font-size: 9.0pt; font-family: Verdana;”>“America killed Dr. King

last night,” Carmichael says at a press conference. “And in doing,

so she declared war on us.”

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“font-size: 9.0pt; font-family: Verdana;”>The assassination of

Robert Kennedy, the trials of Angela Davis and Huey Newton and the

Attica Prison uprising were shown to Swedish citizens. And as they

exposed America’s ugly secrets, Sweden was blasted as being

“anti-American,”  which was also dissected by the

journalists.

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“font-size: 9.0pt; font-family: Verdana;”>But as the film covers

the life cycle of the Black Power Movement, the decline is just as

thought-provoking as the inspiration, encouragement and motivation

that is stirred up during the peak of the movement.

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“font-size: 9.0pt; font-family: Verdana;”>By 1973, Black Power had

been upstaged by black poverty. Long before the nation’s war on

drugs was waged, drug casualties riddled the urban

landscape.

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“font-size: 9.0pt; font-family: Verdana;”>The same crew that

casually strolled the streets of Harlem to gain insight on the

black experience was too afraid to leave their tour bus because of

crime. Vietnam veterans came home as heroin addicts. Overdoses

inundated the morgues of New York, and drug-addicted babies filled

the nurseries.

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“font-size: 9.0pt; font-family: Verdana;”>Davis

“font-size: 9.0pt; font-family: Verdana;”>said she believed that

the heroin was pumped into black soldiers and neighborhoods as a

defense tactic to keep Black Power at bay – a strategic move in a

conspiracy to dilute and sedate the entire movement.

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“font-size: 9.0pt; font-family: Verdana;”>Lewis H. Michaux, owner

of the legendary African National Memorial bookstore, voiced what

he believed was the biggest problem in the movement and the

community.

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“font-size: 9.0pt; font-family: Verdana;”>“A few young men came in

here with their fists up saying ‘Black Power,” Michaux said as he

sat in the store in 1973. “I told them, ‘Black is beautiful, but

black ain’t power. Knowledge is power. And if you don’t know, you

can’t grow.’”

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“font-size: 9.0pt; font-family: Verdana;”>Mischaux’s bookstore,

which housed more than 200,000 texts by Africans and African

Americans, would close down the next year.

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“font-size: 9.0pt; font-family: Verdana;”>By the time their filming

wrapped in 1975, the struggles of the movement to lead blacks into

liberation had dissipated into a fight for survival in the

ghetto.

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“font-size: 9.0pt; font-family: Verdana;”>Badu said, “You come to a

point where the pain to change outweighs the pain to stay the

same.”

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“font-size: 9.0pt; font-family: Verdana;”>The Black Power Mixtape:

1967-1975 opens at the Tivoli Theatre (6350 Delmar) tomorrow (Oct.

28). The film is not rated, with a running time of 100

minutes.

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