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“font-family: Verdana;”>“It’s a great homecoming for me,”

storyteller Bobby Norfolk said of his return to Powell Symphony

Hall as the star of the St. Louis Symphony Orchestra’s The

Composer is Dead. “I was kind of intimidated when I first

walked into this space after all of those years.”

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“font-size: 9.0pt; font-family: Verdana;”>As a young boy, Norfolk

got his first taste of captivating performances in the space that

now houses one of the world’s most premier orchestras, back when it

was the St. Louis Theater.

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“font-size: 9.0pt; font-family: Verdana;”>“I saw the Ten

Commandments here and Samson and Delilah,” Norfolk

said with his welcoming grin.

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“font-size: 9.0pt; font-family: Verdana;”>“The performer comes out

and just feels the energy of the performances that have gone on

here. The energy has vibrated into the floors, the walls and the

ceilings and the energy is still here – almost

Zen-like.”

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“font-size: 9.0pt; font-family: Verdana;”>It was a long journey for

Norfolk to the stage as a storyteller.

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“font-size: 9.0pt; font-family: Verdana;”>“From kindergarten to

10th grade, I stuttered,” Norfolk said. “I had these

master teachers within the St. Louis Public Schools system – and

they kept seeing things in me that I didn’t see in

myself.”

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“font-size: 9.0pt; font-family: Verdana;”>These teachers,

especially at Sumner High School, changed Norfolk’s

life.

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“font-size: 9.0pt; font-family: Verdana;”>“They put me in drama

class, in poetry recitals, they put me in talent shows and whenever

I would perform I wouldn’t stutter,” Norfolk said.

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“font-size: 9.0pt; font-family: Verdana;”>“When I left the stage,

the stuttering came back. But then I found out that it was the

meter, rhythm and rhyme of what I was doing on the stage. Some of

my drama teachers said I should study meditation techniques, too.

And with the meditation and the theatre, the stuttering stopped.

And the career began.”

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“font-size: 9.0pt; font-family: Verdana;”>After graduating from

Sumner, a fellowship from the Danforth Foundation enabled him to

pursue a career in writing at University Missouri–St. Louis while

simultaneously performing in local theatre (he performed in The

Black Rep’s 1981 production of A Soldier’s

Play).

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“font-size: 9.0pt; font-family: Verdana;”>“The first year of my

internship was Proud Magazine, and my second year of

internship was with the St. Louis Sentinel, where Howard

B. Woods was my mentor,” Norfolk said. “And my third internship was

with this obscure newspaper called The St. Louis American.

I got my press pass as features writer for The St. Louis

American. I still have that press pass.”

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“font-size: 9.0pt; font-family: Verdana;”>He also worked as a

stand-up comedian, opening for acts like Lou Rawls, Roberta Flack,

B.B. King and Peabo Bryson. To make ends meet, he took a college

friend up on an offer to become a park ranger at the Jefferson

National Expansion Memorial, which includes the St. Louis Arch – a

day job that led to his performance passion.

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“font-size: 9.0pt; font-family: Verdana;”>“I didn’t seek

storytelling, it sought me,” Norfolk said.

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“font-size: 9.0pt; font-family: Verdana;”>“There I am minding my

business with my Smokey the Bear outfit on, and the storytellers

from all over the United States came. I thought it was new, but it

was an ancient art form and it didn’t require anything except

imagination.”

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“font-size: 9.0pt; font-family: Verdana;”>The St. Louis

Storytellers Festival was being hosted by the national park.

Norfolk asked his boss if he could take part.

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“font-size: 9.0pt; font-family: Verdana;”>“He said take an hour and

be a part of the festival,” Norfolk said. “Then come back, put your

uniform on and be a ranger.”

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“font-size: 9.0pt; font-family: Verdana;”>Norfolk

was

discovered by Young Audiences, and soon he hung up his park ranger

uniform to pursue storytelling full-time.

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“font-size: 9.0pt; font-family: Verdana;”>Along the way, he blended

his backgrounds from theatre, music and comedy into what he calls

“story theatre” – which is what guests of the symphony can expect

to see on Sunday at The Composer is Dead, a murder

mystery/orchestral combination written by Lemony Snicket and

composed by Nathaniel Stookey.

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“font-size: 9.0pt; font-family: Verdana;”>“It’s going to bring me

back to my early days in theatre,” Norfolk said. “I am not going to

be Bobby Norfolk, I am going to be this other persona and that

other persona will hopefully light up that spot.”

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“font-size: 9.0pt; font-family: Verdana;”>The St. Louis Symphony

Orchestra’s presentation of

“font-size: 9.0pt; font-family: Verdana;”>The Composer is Dead

will take place at 3 p.m. Sunday, Oct. 30 at Powell Symphony

Hall (718 N. Grand). For more information, visit

“http://www.stlsymphony.org/”>www.stlsymphony.org

or call

314-534-1700.

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