Towards the end of his concert — where he held down iconic emcee Rakim on the tables — Technician the DJ said something everyone inside City Winery Friday night already knew.

“Y’all are witnessing the definition of hip hop,” he said. “In the dictionary, if you look up hip hop, there are no words. There is this man right here.”

Rakim reminded the crowd several times that he’s only 34, but his influence on the genre stretches four decades.

Thirty-nine years ago — five years before he jokingly claimed he was born — he released an album that would shape hip hop for two generations.

At a time when most rappers served as hype men for the DJ or leaned on over-the-top alter egos bragging about money, cars, clothes and women, Rakim entered the game and became the foundation of modern hip hop.

He changed the temperature of rap the moment he stepped to the mic as part of Eric B. & Rakim. Their 1987 debut, Paid in Full, became an instant classic.

His style leans on control. The calm, measured delivery makes every bar feel intentional. He treated rhyme like architecture — stacking internal patterns and bending syllables in ways that forced the genre to grow up. Where early MCs leaned on volume and bravado, Rakim relied on discipline. His flow was steady, almost meditative, but the complexity underneath it pushed hip hop into a new era.

He opened the show with “Eric B. for President,” an ode to DJs that also marked a new realm of possibility for rappers.

“Make ’em clap to this,” the crowd chimed in without prompting.

A tall man near the front — dressed for an R&B show in a fedora and tailored layers — stood up and rapped along with Rakim like he was right beside him onstage.

Rakim is in mint condition — both in stage presence and rhyme delivery. No backing vocals. No stumbles. Fans tried to match him word for word as he moved across the stage in a sweatshirt, freshly pressed jeans and a single heavy gold chain with a medallion. He gripped the mic low, letting his voice sit right on top of the beat.

He followed with “Let the Rhythm Hit ’Em,” the title track from the duo’s third studio album.

Technician repeatedly promised they would “unload the whole clip” of Rakim’s catalog. They came close.

Rakim effortlessly dove into deeper cuts like “Casualties of War” and “Mahogany.”

Technician mashed up “Mahogany” with Sade’s “Cherish the Day,” using the moment for a bit where Rakim claimed the sultry songstress had a crush on him.

Their chemistry was easy, and Rakim appeared to genuinely enjoy himself from start to finish.

The show dug into the crates but didn’t skip the classics — “Don’t Sweat the Technique” and “I Ain’t No Joke.”

The intimate setting made it clear why he sits on the Mount Rushmore of rap gods.

He is the prototype for lyricists who chase intricate rhyme schemes. His conversational flow — carrying both skill and substance — helped move hip hop beyond genre into art form.

Friday night’s showing — particularly his closing performances of “Paid in Full” and his a cappella finale “Follow the Leader” — underscored how much credit he deserves for helping build a cultural phenomenon with more than a half-century of staying power.

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